Computer games music

Video game scores surely have to be the most under-appreciated form of music out in the real world. While films obviously take artistic precedence over computer games, this shouldn't mean that the latter medium somehow limits or vulgarises the artist's output... far from it. The origin of video games itself goes Best video games right back to early Cathode-Ray experimentation days of post-World War II (early 1950's), incredibly enough. The subsequent history of video game music, however, would take much longer to materialise into something au par with that of film.

Approximately thirty years would pass with plenty of graphical and technological buying cheapest laptops innovation, yet practically none in terms of the actual music used to accompany video games. This was apparently because of the limitations in the number of sound channels used in early computer chips and arcade systems.

Computer and Video Games, BSc (Hons) | School of Media, Music & Performance
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BA (Hons) Digital Music & Computer Games Design

To this day, video game music is both growing in popularity and in quality. Following its progression, from obscure geek-ish trend to established genre, is truly a fascinating odyssey. When in 2005, the extremely popular Amon Tobin scored the third Splinter Cell game: Choas Theory, it seemed as if the possibilities for expansion in regards to genre were virtually endless.

Maybe in a strange surreal way, the world of video games has the upper hand over films in this respect alone, being an ever-expanding and highly experimental medium that inspires countless musicians to keep on pushing the envelope. In effect, the small timeline I have covered above is probably just the tip of the iceberg. In the meantime, very few video game scores actually make it on CD and the overall market for such a genre seems dormant from where I stand.